The interview with Amy Ione, Director of the Diatrope Institute, is now included in the Interviews from Yale University Radio (WYBCX) index of The Art World Demystified, Hosted by Brainard Carey. It is available at http://museumofnonvisibleart.com/interviews/amy-ione/. This collection is an oral history of the Lives of the Most Excellent Artists, Curators, Architects, Critics and more, like Vasari’s book updated.
New research in the archives has made it possible to pinpoint the exact location of Johannes Vermeer’s world-famous ‘The Little Street’. The Rijksmuseum has an exhibition on the discovery.
Screening of the optical movie ‘Tim’s Vermeer’ followed by presentations and panel discussion by Tim Jenison, Philip Steadman, Christopher Tyler and Sir Colin Blakemore. European Conference on Visual Perception, Liverpool, August 22-28th
Screening of the optical movie Tim’s Vermeer followed by presentations and panel discussion by Tim Jenison, Philip Steadman, Christopher Tyler and Sir Colin Blakemore. European Conference on Visual Perception, Liverpool, August 22-28th: http://www.ecvp.org/2015/everyman.html
Since my last visit to SFMOMA the Elise S. Haas collection has gone up and transformed the gallery space. What a wonderful collection!
Still thinking about where technology fits in life and art. For now, I think I’m more interested in the relationship between art of the past and contemporary art than for an art that is focused on NOW! Abstract musings aside, I do try to hit museums or galleries at least once a week because I like to look at what artists are doing and how people are presenting art in general.
Today was my day to get out and about this week. Since I haven’t been to the San Francisco Museum of Modern Art lately, I decided to visit there first.
Since my last visit to SFMOMA the Elise S. Haas collection has gone up and transformed the gallery space. What a wonderful collection! SFMOMA described the exhibition in 2008 as follows:
It would be hard to overestimate the significance of the Elise S. Haas collection for SFMOMA. Made up of some 35 paintings, sculptures, and works on paper, this group of stunning early modernist works highlights especially the art of Henri Matisse and Henry Moore but also includes pieces by such luminaries as Pablo Picasso, Constantin Brancusi, and Barbara Hepworth. A student of art herself, Haas not only collected works by these great artists, but she also endeavored to get to know them personally. Though the collection now seems classic, it was one of the most cutting edge of its time, setting a forward-thinking example that continues to inspire the collecting practices of SFMOMA to this day.